NEARLY
NORMAL
A
Small
Collection
of
New York City
Street Photography
(text below)
|
|
|
|
|
|
|
|
|
In the fall of 1998 and 1999,
I aimlessly wandered the streets of New York City.
With camera in hand and eyes wide open,
I burned through film, calories and shoe leather
|
|
|
|
|
|
|
|
|
When it comes to street photography,
New York is simply the best.
Images come at you like a fleet of yellow cabs
gunning for a jaywalking pedestrian
In contrast to the visual chaos
and confusion,
or maybe just to cope with it,
I was drawn to it's opposite - simplicity. |
|
|
|
|
|
|
I was intrigued by how easy it
is
to be anonymous
in the middle of a big city.
You'll see few live faces here,
few clues to individual identity
or personality |
|
|
|
|
|
|
|
|
|
|
And In a place, usually filled with crowds,
I've chosen to show people
alone.
I was also attracted by the fall light,
the shadows, and the City's rich,
almost overwhelming, visual textures.
|
|
|
|
|
|
|
What came out of it
(aside from the need
for a new pair of shoes),
are images that often
draw their strength
from graphic simplicity,
humor, and subtle,
emotional undertones.
|
|
|
|
|
|
|
|
|
TOP OF PAGE | NEXT PORTFOLIO >
|