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NEARLY
NORMAL


A
Small
Collection
of
New York City
Street Photography


(text below)

 
     
   

In the fall of 1998 and 1999,
I aimlessly wandered the streets of New York City.

With camera in hand and eyes wide open,
I burned through film, calories and shoe leather

     
     
 

When it comes to street photography,
New York is simply the best.

Images come at you like a fleet of yellow cabs
gunning for a jaywalking pedestrian

In contrast to the visual chaos and confusion,
or maybe just to cope with it,
I was drawn to it's opposite - simplicity.

     
     
I was intrigued by how easy it is
to be anonymous
in the middle of a big city.

You'll see few live faces here,
few clues to individual identity
or personality
 
     
     
 

And In a place, usually filled with crowds,
I've chosen to show people alone.

I was also attracted by the fall light,
the shadows, and the City's rich,
almost overwhelming, visual texture
s.

     
     

 

What came out of it
(aside from the need
for a new pair of shoes),

are images that often
draw their strength
from graphic simplicity,
humor, and subtle,
emotional undertones.

 

 
     
   

 

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